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Summary of the Theme
Bookstores, libraries, and newstands are filled with the autobiographies
of the rich and famous, of the heroic and brave, and of the
historic and contemporary personalities that form our world.
At one time or another, we all have gotten hooked on autobiographies.
We enjoy reading the life stories of provocative people. We
want to experience their triumphs and their disappointments.
We want to meet the people they know and to learn the hows
and whys of their lives.
Accompanying a writer on his or her life's journey takes
us on a journey into ourselves as well. We cannot escape reflecting
on our own lives and remembering the people, the places, and
the events that have shaped us.
"The Journey Inward" focuses on women's autobiographies.
Some of the women are well known -- Margaret Mead, Isadora
Duncan. Others are writers -- Eudora Welty, Zora Neale Hurston.
One is an "ordinary" woman who was a pioneer in
the American West. What links these women to each other and
to ourselves are their attempts to understand and to interpret
their lives. Through their autobiographies, these women are
willing to try to tell the truth about themselves, and, in
the process, encourage us to do the same.
Book List
- One Writer's Beginnings by Eudora Welty
- Letters of a Woman Homesteader by Elinore Pruitt
Stewart
- Dust Tracks on a Road by Zora Neale Hurston
- My Life by Isadora Duncan
- Blackberry Winter by Margaret Mead
Program Brochure
The humanities scholar's essay was written in 1987
by Elizabeth R. Baer, Dean of the Faculty and Professor of
English at Gustavus Adolphus College in Minnesota.
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Scholar's essay,
annotated book list, and supplementary texts (pdf)*
"How To" Discussion Programming Guide
Developed to aid participants in “The Millennium
Project for Public Libraries,” this programming
guide provides basic information about developing and
promoting book discussion programs.
* The American Library Association is the copyright owner
of this essay and annotations. The credit lines embedded in
the program materials and/or sponsor and funder logos must
remain on all published (print and web) materials derived
from these materials.
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